

Exterior and interior walls with staggered doorways will offer multiple paths for visitors to follow, gently guiding them to a central, hidden inner garden.

The 2011 Pavilion will be constructed of a lightweight timber frame wrapped with scrim and coated with a black paste mixed with sand.

Materials have always played an evocative as well as an essential role in the buildings designed by Zumthor. As always, Zumthor’s aesthetic goal is to customise the building precisely to its purpose as a physical body and an object of emotional experience. With a refined selection of materials Zumthor creates contemplative spaces that evoke the spiritual dimension of our physical environment. It will be the architect’s first completed building in the UK and will include a specially created garden by the influential Dutch designer Piet Oudolf.Īt the heart of Peter Zumthor’s Pavilion is a garden that the architect hopes will inspire visitors to become observers. This year’s Pavilion is the 11th commission in the Gallery’s annual series, the world’s first and most ambitious architectural programme of its kind. Our previous coverage of the Serpentine Gallery Pavilion can be found here, including Jean Nouvel’s Serpentine Gallery of 2010, and SANAA’s 2009 Serpentine Gallery. Stay tuned to ArchDaily for more images and news on Zumthor’s design for the Pavilion. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’ Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. The building acts as a stage, a backdrop for the interior garden of flowers and light. Zumthor shared that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The Pavilion will be Zumthor’s first completed building in the UK A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture. Pritzker Prize winning architect Peter Zumthor’s design for the 11th Serpentine Gallery Pavilion was revealed today.
